Babel by Martta Garcia
Limited Edition, Edition of: 150, Signed
Limited Edition, Edition of: 150, Signed
2019 / 2021 MGC04
Martta Garcia
Work details

Babel

60 x 90
New
90 x 135
New
Change Frame
Frame

Mounted under acrylic glass, depth 2 mm glossy, Frameless, 60 x 90 cm (External dimensions)

ArtBox, Wooden with acrylic glass glossy, Spessart Oak, Black, 60,8 x 90,8 cm (External dimensions)

On premium paper. Not mounted or framed. Shipped rolled.

Change Frame
Frame

Mounted under acrylic glass, depth 2 mm glossy, Frameless, 90 x 135 cm (External dimensions)

Floater frame Basel, profile width: 15 mm, with acrylic glass glossy, Spessart Oak, Black, 94,4 x 139,4 cm (External dimensions)

On premium paper. Not mounted or framed. Shipped rolled.

£ 699
VAT incl. Plus £ 14 shipping.
Museum-quality Photo Art
Securely packaged
30 day return policy
Background Information about Martta Garcia
Introduction
Zebra Crossing


The Shibuya Crossing in Tokyo is one of the most impulsive intersections in the world. For hardly a minute all car traffic is stopped. Then thousands of rushing pedestrians pour into five crosswalks, spilling in all directions. It’s a moment of sensory overload for Spanish artist Martta García. She reinterprets this incomprehensible flow of people into a binary system of seen and unseen, which is based off the concept of human sight as a system of conscious and unconscious perception.


The zebra crossing and its alternating colors thus become an artificial retina, with certain content deliberately omitted and revealed only as silhouettes. Not unlike the process of human sight that takes place within the brain: we unconsciously omit certain details and automatically supplement others based on predetermined patterns and visual habits. García uses the crosswalk imagery to illustrate and reflect upon this process. Thereby, the crosswalk also becomes a painted catwalk, where all sorts of characters stride, visibly or invisibly. The interplay of abstract forms, saturated colors, and bold figures construct surprising narratives and visual situations and then condenses them into a compressed visual field.


The artist was born in 1974 and has always been fascinated by crowds – the people, the passing glances, the gestures, the walking styles, the hidden, or sometimes performative, feelings. Her work process begins by taking photographs of busy street intersections, which she then uses as a base for her conceptual paintings. The blank spaces are filled by the viewer’s own associations and visions. In which moment they might reflect upon their own seeing habits, perhaps even change the way they perceive the world. With several awards and a well-established following in Spain, the works by Martta García are increasingly winning over the international art market.

Stephan Reisner

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