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Werner Pawlok
ABOUT THE WORK Cuba - Expired Can one make joie de vivre visible in a room devoid of people? Werner Pawlok can. In Havana’s decaying houses, the photographer captures the Caribbean city’s morbid charm as well as a sense of the Havanans’ vitality. Former glory and traces of the decline are side by side in Werner Pawlok’s… Read more
Intro Bio Exhibitions
House of Fefa (hall) - Havana
Cuba - Expired
from £ 649 to £ 2,790
House of Flora - Havana
Cuba - Expired
from £ 649 to £ 2,790
Cremeria La Vina
Cuba - Expired
from £ 649 to £ 2,790
House of Savreda
Cuba - Expired
£ 3,190
Solar Aguiar IV
Cuba - Expired
£ 5,990
Solar Habana y Amargua I
Cuba - Expired
£ 2,790
Solar Habana y Amargura II
Cuba - Expired
£ 2,790
House of Fefa
Cuba - Expired
£ 2,790
Solar Aguiar III
Cuba - Expired
£ 2,790
House of Chino I
Cuba - Expired
from £ 2,690 to £ 2,790
House of Fefa (stairway) - Havana
Cuba - Expired
from £ 799 to £ 2,290
House of Savreda (hall) - Havana
Cuba - Expired
from £ 499 to £ 1,499
House of Magali - Havana
Cuba - Expired
from £ 649 to £ 2,790
House of Chino II
Cuba - Expired
from £ 599 to £ 2,790
House of Eulalia
Cuba - Expired
£ 2,790
Elio with friends - Havana
Cuba - Expired
£ 2,790
House of Luisa Faxas (hall) - Havana
Cuba - Expired
£ 5,190
Elios House III
Cuba - Expired
from £ 499 to £ 2,790
House of Magali I
Cuba - Expired
from £ 499 to £ 2,790
House of Maria
Cuba - Expired
from £ 499 to £ 2,790
Chinos House I
Cuba - Expired
from £ 499 to £ 2,790
House of Luisa Faxas - Havana
Minis
£ 98
Havana Riviera
Minis
£ 179
Casa Borrega II
NEW ORLEANS - undercurrent
from £ 499 to £ 2,790
House of Blues VI
NEW ORLEANS - undercurrent
from £ 499 to £ 2,790
House of Craig I
NEW ORLEANS - undercurrent
from £ 499 to £ 2,790
Preservation Hall
NEW ORLEANS - undercurrent
from £ 499 to £ 2,790
Bar Napoleon
NEW ORLEANS - undercurrent
from £ 499 to £ 2,790
Palazzo di Alvise VI
Palaces in Venice
from £ 449 to £ 2,990
Palazzo di Victoria III
Palaces in Venice
from £ 449 to £ 2,990
Palazzo di Alvise V
Palaces in Venice
from £ 449 to £ 1,999
Palazzo di Alvise I
Palaces in Venice
from £ 449 to £ 2,990
Palazzo di Victoria II
Palaces in Venice
from £ 449 to £ 2,990
Palazzo di Alvise VII
Palaces in Venice
from £ 799 to £ 2,990
Background Information about Werner Pawlok
Introduction
ABOUT THE WORK
Cuba - Expired
Can one make joie de vivre visible in a room devoid of people? Werner Pawlok can. In Havana’s decaying houses, the photographer captures the Caribbean city’s morbid charm as well as a sense of the Havanans’ vitality.
Former glory and traces of the decline are side by side in Werner Pawlok’s Havana photos. Palatial residences from the old sugar aristocracy seem to entrust him, revealing their weathered countenances. The beauty of the Cuban capital and the history of Havana have bittersweet aftertastes. It is a lost world, left to decay. Pawlok brings the viewer under the spell of the old city, in which former luxury is felt merely as a relic of the past.
ABOUT THE ARTIST
A self-taught photographer from Stuttgart, Germany, Werner Pawlok first picked up a camera when he was sixteen in order to take pictures of his idol, Jimi Hendrix, onstage in 1969. Since then, he has been looking through a lens into the depths of rooms and souls. Even if the people in front of the camera would prefer otherwise, Pawlok captures their very essence in his one-of-a-kind photographs.
Pawlok’s work enjoys wide recognition around the world, with numerous international awards, solo exhibitions, and group exhibitions with great artists such as Warhol, Richter, Mapplethorpe, and Polke. Pawlok’s career began in 1977, when he opened his first studio in Esslingen, Germany. Sever years later, he moved to Stuttgart. In 1988, he went to New York for a year. In addition to his haunting black and white Polaroid portraits of authors, his signature style is most recognisable in his “Photography Paintings” or in his celebrity and fashion photographs.
TECHNIQUE
Werner Pawlok is self-taught. That does not just mean that he learned all his techniques by himself, but also that he is the kind of artist who will not be stopped because he cannot do something or because something does not appear to be possible. He managed to get ahold of one of two specialised large-format Polaroid cameras in existence. He takes this same approach to his subjects: unafraid and open to all possible outcomes.
In the Polaroid transfers, Pawlok combines painting and photography. He developed a process of transferring the large-format Polaroid negatives onto hand-made paper and then finishing them by painting on them. Pawlok’s style is variety. He meets every new challenge with curiosity and openness.
Cuba - Expired
Can one make joie de vivre visible in a room devoid of people? Werner Pawlok can. In Havana’s decaying houses, the photographer captures the Caribbean city’s morbid charm as well as a sense of the Havanans’ vitality.
Former glory and traces of the decline are side by side in Werner Pawlok’s Havana photos. Palatial residences from the old sugar aristocracy seem to entrust him, revealing their weathered countenances. The beauty of the Cuban capital and the history of Havana have bittersweet aftertastes. It is a lost world, left to decay. Pawlok brings the viewer under the spell of the old city, in which former luxury is felt merely as a relic of the past.
ABOUT THE ARTIST
A self-taught photographer from Stuttgart, Germany, Werner Pawlok first picked up a camera when he was sixteen in order to take pictures of his idol, Jimi Hendrix, onstage in 1969. Since then, he has been looking through a lens into the depths of rooms and souls. Even if the people in front of the camera would prefer otherwise, Pawlok captures their very essence in his one-of-a-kind photographs.
Pawlok’s work enjoys wide recognition around the world, with numerous international awards, solo exhibitions, and group exhibitions with great artists such as Warhol, Richter, Mapplethorpe, and Polke. Pawlok’s career began in 1977, when he opened his first studio in Esslingen, Germany. Sever years later, he moved to Stuttgart. In 1988, he went to New York for a year. In addition to his haunting black and white Polaroid portraits of authors, his signature style is most recognisable in his “Photography Paintings” or in his celebrity and fashion photographs.
TECHNIQUE
Werner Pawlok is self-taught. That does not just mean that he learned all his techniques by himself, but also that he is the kind of artist who will not be stopped because he cannot do something or because something does not appear to be possible. He managed to get ahold of one of two specialised large-format Polaroid cameras in existence. He takes this same approach to his subjects: unafraid and open to all possible outcomes.
In the Polaroid transfers, Pawlok combines painting and photography. He developed a process of transferring the large-format Polaroid negatives onto hand-made paper and then finishing them by painting on them. Pawlok’s style is variety. He meets every new challenge with curiosity and openness.
Bio
| 1953 | Born in Stuttgart, Germany |
| 1977-78 | Lecturer at Academy of Arts, Stuttgart, Berlin |
| 1980 | Founder of the first gallery for photography in south Germany |
| 1988-89 | First Studio in New York, USA |
| Lives and works in Stuttgart, Germany |
Exhibitions
Solo Exhibitions
| 2012 | ARTFLOW, Kunsthalle Messmer, Riegel am Kaiserstuhl, Germany |
| 2010 | Moving cities, G3 Gallery, Hamburg, Germany |
| 2009 | Face the time, Galerie Andreas Baumgartl, Munich, Germany |
| 2009 | Werkschau / Retrospektive, Galerie Andreas Baumgartl, Munich, Germany |
| 2008 | Cuba – expired, Gallery Breuer+Kansky, Munich, Germany |
| 2007 | Views - faces of literature, Porsche, Stuttgart, Germany |
| 2005 | Private Views, Bankhaus Ellwanger & Geiger, Stuttgart, Germany |
| 1996 | Transfers, Gallery Raab Boukamel, London, UK |
| 1996 | Transfers, Contemporary Art Gallery, Zurich, Switzerland |
| 1993 | Stars & Paints, Musée de l'Elysée, Lausanne, Switzerland |
| 1992 | Transfers, Musée de l´Elysée, Lausanne, Switzerland |
| 1991 | Photography Paintings, Fotografie Forum International, Frankfurt, Germany |
Group Exhibitions
| 2011 | Episode 1, Caratart Kunstverein, Weil am Rhein, Germany |
| 2011 | Light my fire, Nimbus Group Mock-up, Stuttgart, Germany |
| 2011 | Psychadelic Record Sleeves, Duncan Smith Gallery, Stuttgart, Germany |
| 2010 | Dezemberschau, Galerie AK 1 Stuttgart, Germany |
| 2009 | Australia's Bushfire Exhibition, McCulloch Gallery, Melbourne, Australien |
| 2008 | The big picture I + II, Oliver Gordon Gallery, Toronto, Kanada |
| 2006 | Accrochage, Gallery Andreas Baumgartl, Munich, Germany |
| 2003 | Photography in Advertising, Design Center, Malmö, Schweden |
| 2000 | Images Beyond the naked eye, Museo, Den Haag, Niederlande |
| 1998 | Augenlust with Mapplethorpe, Picasso, Warhol, Cocteau, Kunsthaus Hannover, Germany |
| 1993 | Milk Glas, Chicago Athenaeum Museum of Design, Chicago, USA |
| 1993 | Columbus / Artists United for Nature, Sony Headquater, Tokyo, Japan |
| 1991 | Coulour (with Penn, Mapplethorpe, Wegman), Hamilton´s Gallery, London, UK |
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