Pina Bausch: Frühlingsopfer  by Ursula Kaufmann
Limited Edition, Edition of: 100, Signed
Limited Edition, Edition of: 100, Signed

Pina Bausch: Frühlingsopfer

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66,7 x 100
Bestseller
100 x 150
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Mounted under acrylic glass
depth 2 mm glossy, frameless, 66,7 x 100 cm (External dimensions) profile width: 15 mm, with acrylic glass glossy, Canadian Maple, Brown, 71,1 x 104,4 cm (External dimensions) On premium paper (glossy) not mounted or framed. Shipped rolled.
depth 2 mm glossy, frameless, 66,7 x 100 cm (External dimensions)
Select finishing/framing:
Mounted under acrylic glass
depth 2 mm glossy, frameless, 100 x 150 cm (External dimensions) profile width: 15 mm, with acrylic glass glossy, Canadian Maple, Brown, 104,4 x 154,4 cm (External dimensions) On premium paper (glossy) not mounted or framed. Shipped rolled.
depth 2 mm glossy, frameless, 100 x 150 cm (External dimensions)
2003 UKA05

For a long time, stage photography was considered an inferior shoot in the big garden of photographic genres. The pictures taken had to be well focused in order to recognize the actors, they had to be restricted to black and white to be suitable for… Read more

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For a long time, stage photography was considered an inferior shoot in the big garden of photographic genres. The pictures taken had to be well focused in order to recognize the actors, they had to be restricted to black and white to be suitable for the newspapers, and, if at all possible, they should reflect the atmosphere of the production. Nothing more was needed. In the meantime ambitious stage photographers have helped make blurred images and color acceptable in theater business. Ursula Kaufmann, born in 1946, has supported this trend during the past two decades, but still is not satisfied. Not only does she cross the traditional lines lines of stage photography, in her “danceRead more

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